[Report] rehearsal for “Kojiki” project -Part 1

Two-person training by Hiroshi Hori and Tsunao Yamai

One day in April 2022, blessed with sweaty sunny weather, there was a figure of two people in a studio in Tokyo quietly standing in a residential area. While carefully checking the materials of music by Misawa Mataro, they checked the overall flow and the gap, and trial and error continued to match the movements between the two, and what to use and what kind of expression and direction on the stage. The time that should have been plentiful passed quickly, and next time will finally be rehearsals by all the performers.